Only in the last track does the James Bond theme play in full swing. The James Bond theme is much more noticeable in “Dinner Jackets” (played a bit humorously and in conjunction with the main theme) and “A House Falls in Venice” (where Arnold puts in the obligatory statement for the final action scene’s conclusion). Its other appearances are mostly easy to miss if not listened to carefully, with a few bars playing under the main theme or in the midst of long suspenseful passages. Aside from the ending, it makes its best and boldest appearance in “Blunt Instrument” before the main theme comes on again. In large contrast to Arnold’s previous efforts is the understated usage of the James Bond theme. Unfortunately, some legal issues prevented this wonderful piece of music from getting on album, and its absence is very frustrating since the CD now lacks its appropriate opener. Unlike most of the previous songs, it doesn’t talk about romance or sleaze, but focuses on the dangerous life of a secret agent. Sung by Chris Cornell, “You Know My Name” is relentlessly energetic with awesome bad-ass lyrics.

For the third time he was allowed to help create the title song, and the result is one of the best Bond songs yet, and my favorite. His score for Casino Royale proves to be noticeably different from his previous scores, especially Die Another Day. I didn’t think I could ever be so engrossed by watching people play cards.Ĭoming over from the Brosnan years was David Arnold. Casino Royale is probably my favorite James Bond movie. Pierce Brosnan’s suave character was replaced with a more hard-edged and less quippy performance by Daniel Craig. Martin Campbell, director of the well-loved Goldeneye, came on to create this more realistic take on 007. After numerous complaints from James Bond fans regarding Die Another Day, the producers spent a couple extra years on the next film, ultimately deciding to go with a reboot that toned down the camp elements.

Chris cornell casino royale song